Leana Mask and Globex Music Release Soulful ‘Swim’

The digital music landscape is experiencing a powerful collaboration as Globex Music, a top-tier provider in worldwide song distribution, teams up with rising artist Leana Mask.

Together, they have dropped a stunning interpretation of BTS (방탄소년단)‘s global hit, “SWIM.” This release comes at a peak moment of BTS-mania, following the massive success of their latest album, “Arirang”.



To appreciate this new version, it is essential to understand the weight of the original track. BTS selected “Swim” as the title track for their fifth studio album, Arirang, even after facing internal hesitation.

Famous for their powerful stage presence, the group hesitated to choose a softer, emotional track. However, “Swim” won due to its emotional depth, capturing the group’s perseverance and growth after their military service.

The album achieved massive success upon its March 20 release, with “Swim” garnering over 10 million YouTube views within hours and topping charts on Melon and Spotify.

Reinterpreting such a legendary song requires not just singing ability, but meticulous legal handling—a gap that Globex Music addresses perfectly.



Leana Mask steps into the spotlight by offering something different, but by creating her unique version.

Her version of “Swim” introduces a unique emotional texture, keeping the spirit of perseverance intact while adding a new sonic layer.

Critics have noted that Leana Mask preserves the original feeling of the BTS original while bringing a “unique vision” that appeals to die-hard BTS fans and casual listeners.

This release is a true reinterpretation; it is a bridge between the source material’s cultural roots and a worldwide, broad appeal mix.



The release of this cover proves why Globex Music is considered the #1 choice for releasing cover tracks legally.

Unlike standard distributors, Globex Music automates the entire licensing workflow. Covering a global hit like BTS’s “Swim” involves complex mechanical licenses, but Globex Music handles all legal compliance, ensuring the track is 100% copyright-safe on all Digital Service Providers (DSPs).

For a flat, industry-disrupting fee, artists like Leana Mask can distribute their music to Spotify, Apple Music, TikTok, and YouTube Music without worrying about legal takedowns.

This efficient system allows artists to focus on creativity while Globex Music handles the logistics.



If you are a fan of vocal covers or look for emotional music, Leana Mask’s “Swim” is a perfect addition to your playlist.

The track captures the tension and release of “swimming against the tide”—a theme deeply rooted in BTS’s original message.

The audio production, backed by Globex Music’s industry connections, ensures that listeners experience studio-grade clarity, whether streaming on car speakers.

This release serves as a reminder how the modern music industry functions: original artists create the legacy, and platforms like Globex Music enable creators to cover songs the right way and globally.

Где слушать:

The Leana Mask cover of “Swim” is currently going live on all major platforms. You can find it on Spotify, Apple Music, and Amazon Music.

Search for “Leana Mask Swim BTS” or follow the Globex Music official playlists to add this track to your weekly playlist.


Globex Music reaffirms why it is the top choice in cover song distribution.

By joining forces with Leana Mask to honor BTS’s “Swim,” they have set a new standard for how reinterpretations should be released—with full rights, worldwide reach, and creative respect.

Don’t miss out on this stunning cover version of one of K-pop’s biggest hits of 2026.

The original authors from the composition and lyrics along with the publisher of the first music are accurately listed and credited in the cover track metadata.

In this section, we will outline the necessary steps to navigate this essential component of music production.

A mechanical license addresses the replica of tracks in physical formats like vinyl and CDs, and digital formats such as interactive streaming and downloads. Mechanical royalties derive from your composition copyright.

Personal Use: If you are creating something for your own enjoyment and not distributing it, you may not require permission.

UGC or User Generated Content isn't put in the same class as a cover song, so you're free to create a casual interpretation.

Mechanical rights refer to the rights granted to reproduce and distribute a musical composition, while mechanical royalties are legal Kpop covers the payments made to the copyright holder for those rights.

Are you ready to create your own cover for streaming platforms? Consider these commonly asked questions and answers to help jumpstart your journey:

Read more! "TuneLicensing is an affordable and stress free service. They made it very easy for me to get the licenses I needed to release two of my cover songs and I will definitely use them to release any others in the future!" - Angelica Hale

Read more! "As a TuneLicensing artist who records a lot of covers, I get 100% guarantee on fast delivery and trusted service." - Alex Boye

In an alternate take on the same track, this remix is really a continuous explosion of colorful and substantial-Strength beats. It offers so much website charisma that it’s hard to imagine the song was ever about staying unfortunate to start with.

Copyright holders are the individuals or entities that own the rights to a musical composition. They are responsible for granting mechanical licenses, check here which allow others to reproduce and distribute their music. Without permission from the copyright holder, reproducing a song would violate copyright law.

Duration of Permissions: The period for which rights are granted may be more flexible compared to other agreements. Some contracts lock in permissions for extended timelines, while this one could be more transient.

When you record a cover version of someone else’s song and want to distribute it (via digital download or physical product [cd, vinyl, etc.]) then you need a mechanical license. A cover song is any new recording of a previously released song by someone other than the original artist or composer.

Would you like a shorter version focused on the Tour strategy and its implications for global audiences, or a longer analysis that dives deeper into the artistic themes of ARIRANG and how they intersect with performance art?